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Copyright 2006
Chamber Music America

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Events
Education and Residency Institute

Today more than ever, the success of chamber ensembles lies not only in the quality of their performance but also on their ability to educate and communicate with audiences outside the concert hall.

The ERI serves as a training seminar for concert presenters, artist educators, and community-outreach partners.

ERIs focus on a particular theme or set of issues. Institutes are offered around the country in partnership with leading conservatories, universities, presenting organizations, and music festivals to address the needs of chamber music professionals nationwide.

Through an intensive set of interactive workshops and demonstrations, registrants acquire presentation and communication skills and learn how to translate their artistic ideas into programs that reach a wide range of audiences, from children to adults, in a wide variety of settings.


Speak to Your Audience!
A CMA Education & Residency Institute/First Tuesdays Series

A professional development workshop-presented by interdisciplinary specialists from New Triad for Collaborative Arts-enhances ensemble musicians' onstage presence and audience-engagement skills.

NEW DATE!     Tuesday: June 3, 2008

Time:              2:30pm to 6:30pm

Location:        Saint Peter's Church
                       681 Lexington Ave. (at 54th Street)
                       New York City

Reservations: The workshop is free of charge, but seating is limited. If you plan to attend, please register by Friday, May 30. Light refreshments are included.

Registration form in MS Word format

Faculty: Adam Marks and Rachel Schwartz are seminar leaders on the staff of New Triad for Collaborative Arts, a non-profit organization dedicated to transforming the experience of music performance.

Adam Marks, a pianist who is a soloist and chamber musician, draws on literary art forms to teach audience-engagement strategies and to coach musicians for upcoming recitals. He is a candidate for a Ph.D. in piano performance at New York University, where his forthcoming dissertation is titled, "Unleashing the Voice: Interdisciplinary Influences and Interpretive Techniques of Literature for the Vocalizing Pianist."

Rachel Schwartz is an acting and vocal coach in New York City, as well as performer with credits including The Diary of Anne Frank at the Paper Mill Playhouse and The Comedy of Errors and Antony and Cleopatra at the Colorado Shakespeare Festival. Schwartz received her M.F.A. in acting from Columbia University and been a guest lecturer in acting at the University of Colorado at Boulder and Simmons College.

For more information,
contact Nick Iovanna at niovanna@chamber-music.org


THIS EDUCATION AND RESIDENCY INSTITUTE IS FUNDED BY
THE NEW YORK CITY DEPARTMENT OF CULTURAL AFFAIRS AND
CHRISTINE C. QUINN, SPEAKER, CITY COUNCIL OF NEW YORK