Maine's 200th: Music of Early Maine

Sunday, March 08, 2020

Ticket Information

https://www.brownpapertickets.com/event/4358048

Time
2:00 PM
Presented By
Friends of DaPonte String Quartet
Event Type
Performances
Genre
Early Music
Event Contact
Lisa Westkaemper
Contact Email
Description

      “Maine’s 200th: Music of Early Maine” is the DaPonte String Quartet’s tribute to Maine’s Bicentennial. We are joined by guest artist Eric LaPerna, percussion for a program that highlights significant events along Maine’s pre-statehood timeline (from the 16th to the early 19th centuries), with selected music to share some of the cultural influences.

    When we learned about the notated songs of Membertou (c. early 1500s-1611), a major shaman-chief of the Mi’kmaq nation, the idea for this program began to percolate. What music might there have been as so many different peoples explored, fished, and colonized Maine’s rocky coast and European influences began to permeate the land?  But we have only a scant trace of documented music from northeastern North America in this early period, making the written record of Membertou’s songs, and one young colonial bachelor’s dance book found in Topsham, so valuable.

     We know that music played a vital role in indigenous communities, that European sailors sang chanteys to accompany their work, and that all communities blessed their watercraft with traditional music. Noblemen and naval captains would have heard the latest music in Europe. French Jesuit missionaries brought their musical liturgy and passed it on to new generations of Catholics. Publications of the latest English dance tunes sold like hotcakes when they arrived in Boston in the 18th century. But aside from such generalities, we can only speculate about what music might have been in the air, and crossing the seas, “earworms” perhaps, of the people who lived in what we now call Maine. 

     The chronological arc of this program of early Maine music traces a long period of lasting European colonization in the region. Over time English military forces in combination with colonial and imperial policies as well as deadly pathogens that devastated native villages led to Euro-American dominance in the region. In the face of this onslaught, Native American persistence in Maine, and the trans-national northeast more broadly, stands as witness to a remarkable human accomplishment built upon the adaptive skills and knowledge that are the foundation of indigenous cultures and societies.

 

Ensemble Name
DaPonte String Quartet
Musicians
Dino Liva, Lydia Forbes, Myles Jordan, Kirsten Monke, Eric LaPerna guest artist
Composers
Various
Program

The Friends of DaPonte String Quartet

present

A Celebration of Maine’s Bicentennial

DaPonte String Quartet

Maine’s 200th: Music of Early Maine

page1image30156160

Trad. Mi’kmaq

Trad. Basque tune

Heinrich Isaac (c. 1450-1517)

Juan del Encina (c.1468 -1529/30)

attr. to Francis Cutting (1550-1603)

Thomas Tomkins (1572-1656)

Anonymous

with guest artist
Eric LaPernapercussion

Songs of Chief Membertou

Kaxarranka Imperii proceres

Four Songs from Canconiero de Palacio

Todo los bienes
Más vale trocar
Levanta, Pascual
Hoy comamuos y bebamos

Sir Walter Raleigh’s Galliard

A Sad Pavane for these distracted times

Les Bergers et Les Ameriquaines

from Concert Donné à Louis XIII en 1627 par les 24 Violons et les 12 Grand Hautbois

INTERMISSION

Jan Pieterszoon Sweelinck (1562-1621)

Marc-Antoine Charpentier (1643-1704)

Anonymous

Supply Belcher (1751-1836)

Anonymous

Marc-Antoine Charpentier (1643-1704)

Ballo del granduca

Concert pour Quatre Parties de Violes

Allemande Sarabande, Rondeau Gigue anglaise Gigue française Passacaille

The Birks of Abergeldie

from Henry Playford’s Original Scottish Tunes

Captivity

from The Harmony of Maine

Little Ben

A Country Dance from Joseph Merrill’s Dance Book

Prelude from Te Deum


Venue
Unitarian Universalist Church
Location
1 Middle Street
Brunswick, ME
Phone
207-315-7105
Venue URL